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I’m an illustrator and designer based in Perth, Western Australia. I spend my time creating fresh, contemporary work across apparel, branding, and graphic design. Whether I’m working solo or in a studio for clients locally or abroad, my style is heavily inspired by modern visual culture. I love collaborating with people who appreciate clean execution and a purpose that stands the test of time.
Freelance Creative specialising in 3D, motion and graphic design. Self-taught while completing an Advanced Diploma in Graphic Design at Northern Metropolitan TAFE, before joining Perth agency BLOCK as a Junior Creative. Spent three and a half year years creating work that helped brands stand out. Passionate about blending creative with emerging and established technology to craft engaging visual experiences.
Based elsewhere in Australia, working with Perth businesses remotely.
Hi, I'm Katie. Founder and Director of The Creative Lodge. With over twenty years in brand strategy, design, marketing, and business development, I bring a strategic lens to every project I work on. Since starting the business in 2019, I've helped multiple businesses in the property, finance, government, wellness, and consulting sectors grow their businesses and revenue through strategic thinking and good design. My philosophy has always been to become an extension of your team, acting in your best interests and creating assets that empower you to feel in control of your business, brand and marketing. This is why The Creative Lodge specialises in delivering well-crafted websites in Squarespace, branding that is thoughtful and considered, but not complex, and communication design that is compelling and designed to win over your clients.
I'm an experienced Graphic & Presentation Designer. I can help with logo design, branding development, print brochures, publications, presentations, banners and all sorts of digital design projects. If you have a design idea you'd like to explore, feel free to run it by me! Based in Sydney's Inner West.
I'm a Senior Integrated Graphic Designer with 15+ years of experience in Digital, Print, Freelance Services and Marketing Design, working full-time as part of the Marketing Team in Nu Skin Pacific, and as a freelancer at OBUK Design. I specialize in print and digital design, EDMs, social media, reels, signage, stationery, POS, and videos. I have worked in many industries, including: skin care, beauty, wellness, retail, e-commerce, fashion and hospitality, among others. I have +6 years of experience in remote work with worldwide clients from Argentina, Australia, Canada, the UAE, UK and USA. I'm a quick learner and have been involved in copywriting for email marketing and social media as well, creating catchy and attention-grabbing headlines that people enjoy reading. I have a very cheerful and proactive personality, with proficiency in organisation, teamwork and time-management. Let's connect!
Not sure who's best for the job? Post a gig and let local menu designers send you a quote.
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Not sure who's best for the job? Post a gig and let local freelancers send you a quote.
Typesetting your dishes and prices into a layout that reads well, in your brand, built to the size and format you are printing or displaying. A typical gig includes one concept, a round of changes and final files. You should get a print-ready PDF, a digital version for your site and socials, and the source file so prices can be updated later.
Readability in low light, and a structure that guides the eye. Dishes grouped clearly, prices set without leader dots trailing across the page, and enough contrast to read in a dim room. Good menus also use position deliberately, since the top of a section and the area a reader lands on first get the most attention. That is where the dishes you want to sell belong.
Usually 3 to 7 days once the final dish list and prices are locked. A larger set covering food, drinks, specials and a takeaway version runs 1 to 2 weeks. Have the wording finalised first, since menus change more than most documents and each price round trip adds time.
Ask for the source file, and ask the designer to build it so text can be edited without the layout collapsing. For venues changing specials weekly, a template you can update yourself is worth paying a little more for up front. Agree at the start whether small price updates are included or quoted separately.
Both, in most cases. A printed menu is still the in-venue experience, while a digital version (a clean PDF or a web page, not a photo of the print file) is what people check before they book. Ask for both in the same gig, since designing them together costs less than adapting later.
A print-ready PDF with bleed and crop marks for your printer, a lightweight PDF or image set for web and socials, and the editable source file with fonts packaged. If you use a laminated or A-frame format, confirm the sizes with your printer before design starts.
In Perth, a single-page food or drinks menu from existing brand files typically runs $300 to $800. A full set covering food, drinks, specials and a takeaway version more commonly lands at $1,000 to $2,500. A menu designed alongside new branding for a venue opening sits higher. Printing and lamination are separate.
The range on this page runs from about $49 to $164 an hour. Around $49 to $66 is a junior designer, $58 to $115 covers most gigs (an experienced designer working solo), and above $123 is a design lead. For a straightforward reprint with updated prices, the lower end is usually fine.
Look for hospitality work in their portfolio and, if you can, see a menu of theirs in a venue rather than on screen. Ask how they build for price updates. A designer who asks about your lighting, your service style and which dishes you want to push is thinking about the right things.
Post a menu design gig in under five minutes. Describe the work, set your budget and timeframe, and choose whether it is time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig is split into stages you both agree on up front. You fund each stage before the work starts and it is held securely through Stripe, then released once you sign off. No chasing invoices, and no paying for work that is not done.
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