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I’m an illustrator and designer based in Perth, Western Australia. I spend my time creating fresh, contemporary work across apparel, branding, and graphic design. Whether I’m working solo or in a studio for clients locally or abroad, my style is heavily inspired by modern visual culture. I love collaborating with people who appreciate clean execution and a purpose that stands the test of time.
Freelance Creative specialising in 3D, motion and graphic design. Self-taught while completing an Advanced Diploma in Graphic Design at Northern Metropolitan TAFE, before joining Perth agency BLOCK as a Junior Creative. Spent three and a half year years creating work that helped brands stand out. Passionate about blending creative with emerging and established technology to craft engaging visual experiences.
Based elsewhere in Australia, working with Perth businesses remotely.
Hi, I'm Katie. Founder and Director of The Creative Lodge. With over twenty years in brand strategy, design, marketing, and business development, I bring a strategic lens to every project I work on. Since starting the business in 2019, I've helped multiple businesses in the property, finance, government, wellness, and consulting sectors grow their businesses and revenue through strategic thinking and good design. My philosophy has always been to become an extension of your team, acting in your best interests and creating assets that empower you to feel in control of your business, brand and marketing. This is why The Creative Lodge specialises in delivering well-crafted websites in Squarespace, branding that is thoughtful and considered, but not complex, and communication design that is compelling and designed to win over your clients.
I'm an experienced Graphic & Presentation Designer. I can help with logo design, branding development, print brochures, publications, presentations, banners and all sorts of digital design projects. If you have a design idea you'd like to explore, feel free to run it by me! Based in Sydney's Inner West.
I'm a Senior Integrated Graphic Designer with 15+ years of experience in Digital, Print, Freelance Services and Marketing Design, working full-time as part of the Marketing Team in Nu Skin Pacific, and as a freelancer at OBUK Design. I specialize in print and digital design, EDMs, social media, reels, signage, stationery, POS, and videos. I have worked in many industries, including: skin care, beauty, wellness, retail, e-commerce, fashion and hospitality, among others. I have +6 years of experience in remote work with worldwide clients from Argentina, Australia, Canada, the UAE, UK and USA. I'm a quick learner and have been involved in copywriting for email marketing and social media as well, creating catchy and attention-grabbing headlines that people enjoy reading. I have a very cheerful and proactive personality, with proficiency in organisation, teamwork and time-management. Let's connect!
Not sure who's best for the job? Post a gig and let local brochure design freelancers send you a quote.
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Not sure who's best for the job? Post a gig and let local freelancers send you a quote.
Layout across all pages or panels, typesetting your copy, placing and sizing images, and building a print-ready file. A typical gig includes a concept for the cover and a spread, then rollout across the rest once you sign off. You should get a print-ready PDF with bleed and crop marks, a screen version for email, and the source file.
Structure. A brochure is read in fragments, so it works when someone can skim headings and captions and still get the story. Every spread should answer one question. The other half is restraint: two type sizes and a consistent grid across eight pages beats a different treatment on every page.
An 8 to 12 page brochure usually runs 1 to 2 weeks once copy and images are final. Larger documents or anything needing image sourcing and retouching runs 2 to 4 weeks. Supplying finished copy up front is the single biggest thing that keeps it at the short end, because reflowing text across a laid-out document is slow.
A flyer is one page and one message, handed out to catch attention. A brochure is multi-page and sits with someone who has already shown interest, so it can carry detail, proof and pricing. If you are trying to start a conversation, you want a flyer. If you are trying to finish one, a brochure earns its keep.
Print brochures come in multiples of four because of how sheets fold, so 8, 12 and 16 pages are the standard runs. A tri-fold DL is the cheap, common option for a service overview. Decide the page count before design starts, since adding four pages later means reworking the whole flow.
A print-ready PDF set to your printer's spec, a lower-resolution PDF for email, and the editable source file with fonts and links packaged. Ask for the packaged folder rather than just the document. Without the linked images and fonts, the source file is close to useless to the next designer.
In Perth, a tri-fold DL brochure from existing brand files typically runs $600 to $1,500. An 8 to 12 page brochure more commonly lands at $1,500 to $4,000, and a longer document with custom charts, image sourcing or a full capability statement runs higher. Printing is a separate cost paid to your printer.
The range on this page runs from about $49 to $164 an hour. Around $49 to $66 is a junior designer, $58 to $115 covers most gigs (an experienced designer working solo), and above $123 is a design lead. On a longer document, an experienced designer usually finishes in fewer hours, so the higher rate often costs less overall.
Ask to see a multi-page piece they have designed end to end, and flick through it for consistency: does the grid hold across every spread? Ask how they handle copy that runs long, because that is the situation every brochure gig hits.
Post a brochure design gig in under five minutes. Describe the work, set your budget and timeframe, and choose whether it is time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig is split into stages you both agree on up front. You fund each stage before the work starts and it is held securely through Stripe, then released once you sign off. No chasing invoices, and no paying for work that is not done.
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